The original title of this book is "My Years in China, 1926-1941", and some editions are also called "15 Years in China". The book was published in 1944, four years after he went to China. The book is divided into three volumes, 36 chapters and a postscript, which has been translated into about 200,000 words in Chinese. Foreign journalists have written a lot about this period of China's history, but Matsumoto's emphasis on history, Bai Xiude's emphasis on political diplomacy, and Si Nuo's and Harrison Forman's "Report from Red China" are all different from Aban's books. Aban's book takes the form of a memoir. He has information, but it is not a record. There are a large number of historical fragments, but they are not historical works. Having personal experience, but not autobiography; There are anecdotes, but they are not anecdotes. This book is about the practice of American-style news interview, but the place where it is put into use is the ancient China that is changing in the ascendant. Liberalism's news concept and American interview operation collide with China's reality everywhere. The conventional skills of Western journalists are not enough to cope with the situation in China. He must deal with and adapt. Sometimes it is cruel, sometimes it is clever, sometimes it is compromise, but it must stick to the bottom line of truth and justice. He wrote the scenes in the interview history based on the reporter's personal experience. After reading it, I saw not only the historical situation, but also how history was projected to the media. The author's knowledge is limited, and the books he dabbles in, such as Aban's book, have yet to be discovered.
很快酒菜就端了上来，陈启、吕文心几人一边聊着，一边吃了起来。
"Exposure compensation is also called EV, which is an abbreviation of Exposure Values and a quantity reflecting the amount of exposure. EV +/-commonly known as exposure compensation, it was originally defined as: when the sensitivity is ISO 100, the aperture coefficient is F1, and the exposure time is 1 second, the exposure is defined as 0, the exposure is reduced by one gear (the shutter time is reduced by half or the aperture is reduced by one gear), and the EV value is increased by 1. Increasing and decreasing exposure compensation depends on adjusting the rocker. The shooting environment is relatively dim and needs to increase brightness. When the flash cannot work, the exposure can be compensated and the exposure can be appropriately increased. "
笑了一会，她才眨巴着眼睛对葫芦道：咱们可要好好瞧着，板栗哥哥将来是不是真的跟那个得了他‘板栗的人结亲。
铸剑大师欧冶子舍生取义，帮助正直淳良的青年干将前往楚国铸剑，并借机刺杀穷兵黩武的无道暴君。而干将与莫邪的爱情经历了阴谋与误会的考验，也更加坚贞不渝，富于传奇色彩……干将被楚王杀害后，莫邪带着儿子眉间赤隐姓埋名、忍辱偷生。十八年后，在爱人青萝君和母亲相继遇害之后，赤知道了真相，燃起 了复仇的勇气。亦师亦友的山中客，目睹了赤的遭遇，决定帮助赤完成复仇……
本片讲述了一个追星族因不满明星骄傲而杀人的故事
人进人出，船来船往，来自四面八方的人在老榕树客栈里相遇，他们背景不同、出身不一，却在老榕树里发展出了一段段精采感人的故事。老榕树就像是祖国的缩影，泱泱沛沛、相容并蓄地包容着每一个民族的子民，不管是闽南人、香港人、东北人、四川人，美籍华人，甚至是改革开放后，乘着〝小三通〞的船只过海而来的台湾人，他们相互之间，有矛盾也有沟通；有争执也有妥协；他们彼此扶持走过困难时刻，他们相互分享共度美好时光……因为，他们都是中国人！时装系列单元连续剧《船来船往》是以金厦等地的“小三通”为时代背景，以直航码头边的私家旅馆“老榕树大酒店”以及台湾人创办的“天天来大酒店”为主场景，以两家主人之间的竞争与互动，加上往来形形色色不同身份的房客为主要人物关系，进述了两岸人民同根同源、血肉相亲的动人故事，展开了一幕幕悲喜交织人间戏剧，本剧具有实景拍摄、取材实事的特点。一水之隔，船来船往，客栈里，人群中……，无论寻亲探友、谒祖归宗、经商贸易、寻医问药、文化交流、宗教往来、观光旅游、婚丧嫁娶等林林种种的故事，无不折射出两岸民
尹旭冷笑一声：随便你吧，死到临头还嘴硬，真是可悲。
6. Don't look at stocks that are not rising channels at all. No matter what happens in the future, don't accompany the main force to build a warehouse. I don't have time to spend with them.
可刘家的孩子其实跟张郑两家来往并不多，锦鲤又不可能跟大哥泥鳅一样常出门。
OK, the main play has finally come. This is the heated smoke bomb. In the middle of the tobacco shreds are traces "inserted" by iQOS heating sheets, and there are signs of blackening and carbonization. And there are also many oil stains on the cigarette paper.
送外卖送出真感情！香港外卖仔爱上居港外籍商人本土美食和70年代的音乐将二人连系起来但是阶级地位的不同却可能是这段关系的阻力
一个新的Y系列情景喜剧系列，打破了这个世界上所有的规则。将在今年四月扰乱所有人。快来加入这间很棒的公寓吧。
黎章都一一答了。
(1) Copies
身为种族链底端的，拥有最强精神力的这位少女的迷宫生存剧，现在开幕！
赛车手阿浪一直对父亲反对自己的赛车事业耿耿于怀，在向父亲证明自己的过程中，阿浪却意外的卷入了一场奇妙的冒险。他在这段经历中结识了一群兄弟好友，一同闯过许多奇幻的经历，也对自己的身世有了更多的了解。
Level 2, Features (Except Individual) and Meng Jiang Lu
PS：拭目以待项羽和尹旭的精彩表现吧。
…………下面，月下说一说，写《回家》的初衷，以及后续计划。
