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似乎她这一去，就永远离开他了。田遥乖乖地点头，接过红椒递过来的碗。民国初年，豉油老字号“家福酱园”的次女徐芯（周丽淇饰）把酱油厂的生意搭理得井井有条，然而好景不长，一次豉油意外事故让酱油厂深陷困境。正当徐芯束手无策时，邂逅青年才俊佟本善（黄浩然饰）。本善的入股令酱油厂的钱债危机得以解除，加上本善的深情，都深深吸引着单纯善良的徐芯，可她却怎知本善另有目的。当年本善被高夫人董帼馨（陈秀珠饰）收养，并捏造他就是高兆堂（郭峰饰）寻找多年的私生子。然而当他即将作为继承人时，却被高夫人设计逐出家门。为报高家此仇，本善展开了一场机关算尽的爱情骗局。Have a symbolic smellCopyright? 2011-2017The original title of this book is "My Years in China, 1926-1941", and some editions are also called "15 Years in China". The book was published in 1944, four years after he went to China. The book is divided into three volumes, 36 chapters and a postscript, which has been translated into about 200,000 words in Chinese. Foreign journalists have written a lot about this period of China's history, but Matsumoto's emphasis on history, Bai Xiude's emphasis on political diplomacy, and Si Nuo's and Harrison Forman's "Report from Red China" are all different from Aban's books. Aban's book takes the form of a memoir. He has information, but it is not a record. There are a large number of historical fragments, but they are not historical works. Having personal experience, but not autobiography; There are anecdotes, but they are not anecdotes. This book is about the practice of American-style news interview, but the place where it is put into use is the ancient China that is changing in the ascendant. Liberalism's news concept and American interview operation collide with China's reality everywhere. The conventional skills of Western journalists are not enough to cope with the situation in China. He must deal with and adapt. Sometimes it is cruel, sometimes it is clever, sometimes it is compromise, but it must stick to the bottom line of truth and justice. He wrote the scenes in the interview history based on the reporter's personal experience. After reading it, I saw not only the historical situation, but also how history was projected to the media. The author's knowledge is limited, and the books he dabbles in, such as Aban's book, have yet to be discovered.Same as the power supply section above!