萌浪是一只无忧无虑、古灵精怪但热情充沛的小兔子。萌浪最好的朋友：Piu Piu，是一只谨慎害羞、情绪化的小鸡。尽管两个好朋友的性格截然不同，却拥有着独一无二的坚固友情。从平凡到非凡，它们一起经历着最好的时光。无论是去月球冒险还是一起种菜浇花，萌浪和Piu Piu总能遇到一些意想不到又不太顺利的事情。
门房便进去通报。
位于热带雨林部落中的岛屿原住民妇女、与来自马来半岛的时尚设计师，如何因为当地水库建设计画而有了连结？出生于婆罗洲的导演吴康豪（Nova Goh）在2014年于故乡土地健行途中，遇见了森邦村（Kampung Semban）的比达友族（Bidayuh）铜环妇女，决心透过镜头纪录受到现代化衝击下仅存的铜环妇女以及铜环文化。 导演吴康豪（Nova Goh）如何以砂拉越人的角度来看待现代化公共建设与原住民文化消失的衝突？本片主要讲述了自我与他者、传统与现代、东马与西马、岛屿与大陆等多重二元对立视角，更隐含著来自传统文化在面临现代化历程下，除了成为「被凝视的他者」，更可选择藉由「当代艺术」与「时尚创作」等现代化工具，再次塑造自我认同与族群意识的凝聚。
聚焦养老的社会议题，整体风格温暖治愈，通过讲述了几个 “90后”年轻人和一群老年人背后的故事，诠释了爱与陪伴、坚持与梦想、责任与担当等等情感主题。
1585年，此时伊丽莎白一世（凯特•布兰切特 Cate Blanchett 饰）已经52岁。她单身未嫁，政治手腕已经非常成熟，处理国务也比年轻时得心应手。她思想开明，允许人们信仰罗马天主教。然而，却屡屡受到苏格兰女王玛丽•斯图亚特的种种对抗，玛丽甚至派杀手暗杀伊丽莎白未遂。
永平帝不可置信地问道：是他抓的你，你一点不恨他？香荽道：知错能改，善莫大焉。
偏将不悦道：这是将军和二皇子定下的计策，特地在南边埋伏了人马接应，好拖住敌军。
13. Strategy)
本剧由知名青年导演沈燕林执导，闫学晶、杜源、张少华、郭东文、赵芮、句号领衔主演，褚峰、葛玟希、周建鹏、丁建钧、商秉驰、李梅可、王也天联袂主演。
Rocket launcher (mine x 10)
一个年轻的母亲Cora Tanner（Jessica Biel饰）在公众犯下一件令人吃惊的暴力行为，但无人知道她的动机。而一位流氓似的调查员对她的动机陷入执着，在他的调查过程，他与对方一同走进她的内心深处，在这悲惨的「旅程」将发掘出隐藏在她过去的暴力秘密。Bill Pullman饰演Harry Ambrose，是个感性﹑顽强的侦探，他发现自己着迷于Cora的案件中，幷且深信这案件有着被深藏在背后的真相，因此开始调查Cora的生活。
电视剧讲述了曾经是不良少女的新手护士·立花遥（中条彩未饰演）和想快速结了婚辞掉工作但苦于找不到合适的结婚对象的34岁的前辈护士·三原夏美（水川麻美饰演）于四季综合医院外科住院部的医疗战线上共同奋斗成长的故事。
此剧讲述自发成为单身妈妈的女主角东熙，为了成为设计师而孤军奋战地生活，遇到不懂事的财阀二世后发生的故事。
With the task guiding role growth as the center, combined with replica, PVP and PVE as the auxiliary, it has the same changes in equipment and grade as other online games, and has a total of more than 600 kinds of equipment props.
地矿学家李教授带学生莫天良（邢佳栋饰）和女儿月儿探寻矿源，获绘有金矿地势的羊皮图。盗匪赵无奇一路追杀，李教授中弹，临终前将图一分为二交给两个年轻人。莫天良摔下百丈悬崖，所带半张图被赵夺走。 月儿被孟瑞救下并收容。他把月儿的半张羊皮图弄到手欲送从日本留学回来的孪生兄弟孟哲（姚橹饰），想开金矿发大财 ... 。日本军方为研发新武器派山崎（矢野浩二饰）到中国寻觅稀有金属。孟瑞新奇死去，脸上盖有一张赵无奇的面具。 接着土匪鹰老大尸体上也有赵无奇的面具。 手下曹双林决意为鹰老大报仇。孟哲、山崎、曹双林三路人来到福禄客栈寻觅线索，一夜间发作了一场惊心动魂的打斗与拼杀……
高傲自负、从无败绩的王牌刑案律师柯震宇（李国毅饰），在柔道金牌教练命案的辩护中遭陷害，被检察官慕思明（谢坤达饰）起诉伪造证据而身败名裂，而落魄的他，搬进了一间神秘的老公寓...
The original title of this book is "My Years in China, 1926-1941", and some editions are also called "15 Years in China". The book was published in 1944, four years after he went to China. The book is divided into three volumes, 36 chapters and a postscript, which has been translated into about 200,000 words in Chinese. Foreign journalists have written a lot about this period of China's history, but Matsumoto's emphasis on history, Bai Xiude's emphasis on political diplomacy, and Si Nuo's and Harrison Forman's "Report from Red China" are all different from Aban's books. Aban's book takes the form of a memoir. He has information, but it is not a record. There are a large number of historical fragments, but they are not historical works. Having personal experience, but not autobiography; There are anecdotes, but they are not anecdotes. This book is about the practice of American-style news interview, but the place where it is put into use is the ancient China that is changing in the ascendant. Liberalism's news concept and American interview operation collide with China's reality everywhere. The conventional skills of Western journalists are not enough to cope with the situation in China. He must deal with and adapt. Sometimes it is cruel, sometimes it is clever, sometimes it is compromise, but it must stick to the bottom line of truth and justice. He wrote the scenes in the interview history based on the reporter's personal experience. After reading it, I saw not only the historical situation, but also how history was projected to the media. The author's knowledge is limited, and the books he dabbles in, such as Aban's book, have yet to be discovered.
