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1956年石原慎太郎憑著小說《太陽的季節》勇奪芥川文學獎，掀起「太陽族」電影熱潮，內容講述青少年追求反建制、反倫理、放任自由的生活方式。《處刑的房間》同樣改編自石原著作，家境富裕的大學生克巳拒絕扮演父親任勞任怨的樣板salaryman，打架、迷姦，樣樣皆能。影片對性愛、暴力的描寫非常大膽，公映之際遭受衛道之士猛烈抨擊，痛斥「毒草」滋生；導演更與影評人井澤淳展開筆戰，強調評論應針對影片本身而非倫理道德。克巳的形象固然政治不正確，敢說敢做勇於承擔的男兒氣概，在處處壓抑的日本社會卻總叫人又愛又恨。本片改编自女作家派翠西亚·海史密斯写于1955年的同名小说，法国导演雷内·克莱芒曾于1960年拍摄过一部以该小说为蓝本的电影《太阳背面》，由法国影星阿兰·德隆主演。紫茄、刘蝉儿等人陪年轻女客。After resigning, Ellie speculated in stocks at home. She seldom came into contact with places outside her fixed circle of friends. Allie became lazy and loose. Apart from occasional running, she almost gave up on her middle-aged body, which was getting fat.I don't know whether it is the reason for setting or the reason for the program.Showtime宣布续订《拉字至上：Q世代》第二季。This principle means that there are no methods in each interface that subclasses cannot use but must implement. If not, the interface must be split. It is better to use multiple isolated interfaces than to use a single interface (an interface where multiple interface methods are assembled into one).